Book | Chapter
The method of nature, the crisis of critique
life, multiplicity and the genesis of the intellect in Nietzsche's early notebooks
pp. 85-106
Abstract
In the midst of a period of convalescence following upon a riding accident during his military service in Naumburg, the 23-year-old Nietzsche embarks on the project for an academic dissertation to be entitled "The Concept of the Organic since Kant".1 By May of the same year, the project is abandoned, giving way to a period of sustained inquiry into the field of philology, centring around the original sources of Diogenes Laertius and the relationship between philology and Homer.2 We could comfortably assume that nothing really happened, that the young Nietzsche, armed with a vague intuition regarding a hotly contested region of post-Kantian philosophy and scientific speculation, merely threw together a collage of quotes and speculative clichés, unable to attain anything like the groundwork of a thesis, or even to sketch out a genuine problem.3 Needless to say, the very possibility of such an initial impression means that any reading claiming a higher status for the admittedly fragmentary insights collected in these early notebooks must somehow persuade us of its legitimacy.
Publication details
Published in:
Toscano Alberto (2006) The theatre of production: philosophy and individuation between Kant and Deleuze. Dordrecht, Springer.
Pages: 85-106
Full citation:
Toscano Alberto (2006) The method of nature, the crisis of critique: life, multiplicity and the genesis of the intellect in Nietzsche's early notebooks, In: The theatre of production, Dordrecht, Springer, 85–106.