Series | Book
Knowing Shakespeare
senses, embodiment and cognition
Abstract
A collection of essays on the ways the senses 'speak' on Shakespeare's stage. Drawing on historical phenomenology, science studies, gender studies and natural philosophy, the essays provide critical tools for understanding Shakespeare's investment in staging the senses.
Details | Table of Contents
touch in the Winter's tale
pp.65-81
https://doi.org/10.1057/9780230299092_4cognitive difference and empire in Shakespeare's Antony and Cleopatra
pp.102-115
https://doi.org/10.1057/9780230299092_6theaters of early modern experience
pp.154-171
https://doi.org/10.1057/9780230299092_9listening to the Tempest
pp.172-191
https://doi.org/10.1057/9780230299092_10the ear, the eye, and the senses of a woman in Much ado about nothing
pp.192-215
https://doi.org/10.1057/9780230299092_11Publication details
Publisher: Palgrave Macmillan
Place: Basingstoke
Year: 2010
Pages: 270
Series: Palgrave Shakespeare Studies
ISBN (hardback): 978-1-349-32493-4
ISBN (digital): 978-0-230-29909-2
Full citation:
Gallagher Lowell, Raman Shankar (2010) Knowing Shakespeare: senses, embodiment and cognition. Basingstoke, Palgrave Macmillan.