Metodo

International Studies in Phenomenology and Philosophy

Series | Book | Chapter

207170

Re-reading camera lucida

Victor Burgin

pp. 71-95

Abstract

La Chambre Claire — Note sur la photographie was the last book by Roland Barthes to be published during his lifetime; the translation, Camera Lucida — Reflections on Photography, is the latest of about a dozen works by Barthes to become available in English. There has been a tendency amongst those who have so far written about Camera Lucida to regard it as Barthes's last word on photography. In the strictly literal sense this is of course true; in any other sense it makes a nonsense of what Barthes stood for. In a preface of 1963 he characteristically remarks that to write is, "to become someone to whom the last word is denied; to write is to offer others, from the start, the last word" (CE xi) Of course that "last word" offered to his commentator is itself no more than a thread in a web of texts which will grow for as long as Barthes's work is discussed — as long as the written Barthes survives.

Publication details

Published in:

Burgin Victor (1986) The end of art theory: criticism and postmodernity. Basingstoke, Palgrave Macmillan.

Pages: 71-95

DOI: 10.1007/978-1-349-18202-2_4

Full citation:

Burgin Victor (1986) Re-reading camera lucida, In: The end of art theory, Basingstoke, Palgrave Macmillan, 71–95.