Metodo

International Studies in Phenomenology and Philosophy

Series | Book | Chapter

207169

Seeing sense

Victor Burgin

pp. 51-70

Abstract

Although photography is a "visual medium", it is not a "purely visual" medium. I am not alluding simply to the fact that we rarely see a photograph in use which is not accompanied by writing (albeit this is a highly significant fact), even the uncap-tioned "art" photograph, framed and isolated on the gallery wall, is invaded by language in the very moment it is looked at: in memory, in association, snatches of words and images continually intermingle and exchange one for the other. It will be objected that this is indistinct and insignificant background noise to our primary act of seeing. If I may be excused a physiological analogy, the murmur of the circulation of the blood is even more indistinct, but no less important for that.

Publication details

Published in:

Burgin Victor (1986) The end of art theory: criticism and postmodernity. Basingstoke, Palgrave Macmillan.

Pages: 51-70

DOI: 10.1007/978-1-349-18202-2_3

Full citation:

Burgin Victor (1986) Seeing sense, In: The end of art theory, Basingstoke, Palgrave Macmillan, 51–70.