Game has a central role in Nespolo’s art. Irony and caricature are the main stylistic features decisive for his film. Nespolo’s experimental cinema absorbs the avant-gardist idea of film as a creative game stricty related with life, the analytical approach toward visual image typical of Bauhaus’ searches and the autonomy of “cinematographic eye” as a linguistic expression. Nespolo’s film produced between 1966 and 1977 can be grouped in four series: first, explorations and analysis of cinematographic image; second, surrealistic and bizarre theatre; third, film about avant-gardist searches of artists in Turin during the 60s; fourth, eccentric narratives in film of the 70s, definable as very representative of Nespolo’s cinema.