Metodo

International Studies in Phenomenology and Philosophy

Series | Book | Chapter

226638

Distributed dramaturgies

navigating with boundary objects

Freya Vass-Rhee

pp. 87-105

Abstract

When William Forsythe is asked during public talks about the role of the dramaturg in his creative processes, he says the dramaturg serves as a "tutor" to both himself and the ensemble, streamlining and furthering the education of a collective limited by the temporal demands of their profession. Referring recently to his collaborations with David Levin, Heidi Gilpin, and Patricia Baudoin in the late 1980s, he commented, "It was an excuse… They had the title of dramaturg but actually were helping me read, and learn how to read, certain kinds of texts which I had no way into without [access to] a university… [t]hey offered wonderful readings and suggestions' (Forsythe, "Iconic Artist Talk").

Publication details

Published in:

Hansen Pil, Callison Darcey (2015) Dance dramaturgy: modes of agency, awareness and engagement. Basingstoke, Palgrave Macmillan.

Pages: 87-105

DOI: 10.1057/9781137373229_5

Full citation:

Vass-Rhee Freya (2015) „Distributed dramaturgies: navigating with boundary objects“, In: P. Hansen & D. Callison (eds.), Dance dramaturgy, Basingstoke, Palgrave Macmillan, 87–105.