Series | Book
Dance dramaturgy
modes of agency, awareness and engagement
Abstract
Ten international dramaturg-scholars advance proposals that reset notions of agency in contemporary dance creation. Dramaturgy becomes driven by artistic inquiry, distributed among collaborating artists, embedded in improvisation tasks, or weaved through audience engagement, and the dramaturg becomes a facilitator of dramaturgical awareness.
Details | Table of Contents
pragmatics and functions of dramaturgy in contemporary dance
pp.31-50
https://doi.org/10.1057/9781137373229_2seven strewn notes for dance dramaturgy
pp.51-66
https://doi.org/10.1057/9781137373229_3navigating with boundary objects
pp.87-105
https://doi.org/10.1057/9781137373229_5a workshop
pp.106-123
https://doi.org/10.1057/9781137373229_6in the studio with Ralph Lemon and Donald Byrd
pp.145-162
https://doi.org/10.1057/9781137373229_8Koosil-ja's Mech[a] output
pp.163-179
https://doi.org/10.1057/9781137373229_9Publication details
Publisher: Palgrave Macmillan
Place: Basingstoke
Year: 2015
Pages: 201
Series: New World Choreographies
ISBN (hardback): 978-1-349-55797-4
ISBN (digital): 978-1-137-37322-9
Full citation:
Hansen Pil, Callison Darcey (2015) Dance dramaturgy: modes of agency, awareness and engagement. Basingstoke, Palgrave Macmillan.