Metodo

International Studies in Phenomenology and Philosophy

Book

226059

Risk, participation, and performance practice

critical vulnerabilities in a precarious world

edited byAlice O'Grady

Abstract

This book explores a range of contemporary performance practices that engage spectators physically and emotionally through active engagement and critical involvement. It considers how risk has been re-configured, re-presented and re-packaged for new audiences with a thirst for performances that promote, encourage and embrace risky encounters in a variety of forms. The collection brings together established voices on performance and risk research and draws them into conversation with next generation academic-practitioners in a dynamic reappraisal of what it means to risk oneself through the act of making and participating in performance practice. It takes into account the work of other performance scholars for whom risk and precarity are central concerns, but seeks to move the debate forwards in response to a rapidly changing world where risk is higher on the political, economic and cultural agenda than ever before.

Details | Table of Contents

Theatre in the age of uncertainty

memory, technology, and risk in Simon Mcburney's The encounter and Robert Lepage's 887

Lourdes Orozco

pp.33-55

https://doi.org/10.1007/978-3-319-63242-1_2
Putting prejudices on the spot and in the spotlight

the risks of politically motivated public space performance practices

Bree Hadley

pp.57-78

https://doi.org/10.1007/978-3-319-63242-1_3
The drama spiral

a decision-making model for safe, ethical, and flexible practice when incorporating personal stories in applied theatre and performance

Clark Baim

pp.79-109

https://doi.org/10.1007/978-3-319-63242-1_4
Dance with a stranger

Torque Show's Intimacy (2014) and the experience of vulnerability in performance and spectatorship

Matt Hargrave

pp.113-130

https://doi.org/10.1007/978-3-319-63242-1_5
Risking intimacy

strategies of vulnerability in vertical city's all good things and trace

Bruce BartonPil Hansen

pp.131-152

https://doi.org/10.1007/978-3-319-63242-1_6
Collect yourselves!

risk, intimacy, and dissonance in intermedial performance

Jocelyn SpenceStuart AndrewsDavid Frohlich

pp.153-175

https://doi.org/10.1007/978-3-319-63242-1_7
At the risk of being sincere

participation and delegation in South African contemporary live art

Rat Western

pp.179-204

https://doi.org/10.1007/978-3-319-63242-1_8
Upon awakening

addiction, performance, and aesthetics of authenticity

Zoe Zontou

pp.205-231

https://doi.org/10.1007/978-3-319-63242-1_9

Publication details

Publisher: Palgrave Macmillan

Place: Basingstoke

Year: 2017

Pages: 264

DOI: 10.1007/978-3-319-63242-1

ISBN (hardback): 978-3-319-63241-4

ISBN (digital): 978-3-319-63242-1

Full citation:

O'Grady Alice (2017) Risk, participation, and performance practice: critical vulnerabilities in a precarious world. Basingstoke, Palgrave Macmillan.