Metodo

International Studies in Phenomenology and Philosophy

Series | Book | Chapter

225535

Automatic classification of guitar playing modes

Raphael FoulonPierre RoyFrançois Pachet

pp. 58-71

Abstract

When they improvise, musicians typically alternate between several playing modes on their instruments. Guitarists in particular, alternate between modes such as octave playing, mixed chords and bass, chord comping, solo melodies, walking bass, etc. Robust musical interactive systems call for a precise detection of these playing modes in real-time. In this context, the accuracy of mode classification is critical because it underlies the design of the whole interaction taking place. In this paper, we present an accurate and robust playing mode classifier for guitar audio signals. Our classifier distinguishes between three modes routinely used in jazz improvisation: bass, solo melodic improvisation, and chords. Our method uses a supervised classification technique applied to a large corpus of training data, recorded with different guitars (electric, jazz, nylon-strings, electro-acoustic). We detail our method and experimental results over various data sets. We show in particular that the performance of our classifier is comparable to that of a MIDI-based classifier. We describe the application of the classifier to live interactive musical systems and discuss the limitations and possible extensions of this approach.

Publication details

Published in:

Aramaki Mitsuko, Derrien Olivier, Kronland-Martinet Richard, Ystad Sølvi (2014) Sound, music, and motion: 10th international symposium, CMMR 2013, Marseille, France, October 15-18, 2013. revised selected papers. Dordrecht, Springer.

Pages: 58-71

DOI: 10.1007/978-3-319-12976-1_4

Full citation:

Foulon Raphael, Roy Pierre, Pachet François (2014) „Automatic classification of guitar playing modes“, In: M. Aramaki, O. Derrien, R. Kronland-Martinet & S. Ystad (eds.), Sound, music, and motion, Dordrecht, Springer, 58–71.