Havana's falling tanks and flooded laneways
examining the acoustic community
pp. 131-151
Abstract
The work of the World Soundscape Project (WSP) conceives of community as moments of acoustic intelligibility that emerge against a backdrop of industrial modernity, an approach that by no means exhausts all possibilities of community formation through sound and listening. This chapter asks, with a term that has as much descriptive potential as "acoustic community", how can it be deployed so that it accommodates research questions that extend beyond intelligibility alone? As a sonic ethnographer whose work is based in (and on) Havana, Cuba, I make use of the term in my research in the city. I argue that "acoustic community" remains a highly useful conceptual tool; however, its utility is contingent upon acknowledging and accommodating the historical geography in which it is used.
Publication details
Published in:
Droumeva Milena, Jordan Randolph (2019) Sound, media, ecology. Basingstoke, Palgrave Macmillan.
Pages: 131-151
DOI: 10.1007/978-3-030-16569-7_7
Full citation:
Andrisani Vincent (2019) „Havana's falling tanks and flooded laneways: examining the acoustic community“, In: M. Droumeva & R. Jordan (eds.), Sound, media, ecology, Basingstoke, Palgrave Macmillan, 131–151.