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International Studies in Phenomenology and Philosophy

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213077

"I have a penchant for black"

race and orphic dismemberment in Byron's The deformed transformed and J. M. Coetzee's Disgrace

Jonathan Gross

pp. 167-181

Abstract

"I should like to know "who" has been carried off except poor dear "me,"" Byron wrote to his publisher, when accused of mistreating women. "—I have been more ravished myself than anybody since the Trojan war."1 The comparison is suggestive, for it links him to a tradition of men pursued and even dismembered by women, especially Pentheus in The Bacchae and Orpheus in Virgil's Georgics. In Don Juan, Byron continued the Orphic theme. He depicted his hero not as the legendary seducer but as the passive medium of female desire. Thus Juan is ravished by Don Alfonso's wife, procured by Gulbeyaz, and man-handled by Catherine. Long after Byron dies, his head continues its song. Byron is dead, Tennyson carves on a rock.2 Long live Byron.

Publication details

Published in:

Green Matthew J. A., Pal-Lapinski Piya (2011) Byron and the politics of freedom and terror. Basingstoke, Palgrave Macmillan.

Pages: 167-181

DOI: 10.1057/9780230306608_11

Full citation:

Gross Jonathan (2011) „"I have a penchant for black": race and orphic dismemberment in Byron's The deformed transformed and J. M. Coetzee's Disgrace“, In: M. J. Green & P. Pal-Lapinski (eds.), Byron and the politics of freedom and terror, Basingstoke, Palgrave Macmillan, 167–181.