Book
Vibratory modernism
Abstract
Vibratory Modernism is a collection of original essays that show how vibrations provide a means of bridging science and art - two fields that became increasingly separate in the nineteenth and early twentieth centuries.
Details | Table of Contents
Blackwood, Lawrence, Woolf
pp.30-52
https://doi.org/10.1057/9781137027252_2vibration, sound, and the birth of Conrad's Marlow
pp.53-79
https://doi.org/10.1057/9781137027252_3Lewis, Pound and the London vortex
pp.80-95
https://doi.org/10.1057/9781137027252_4mechanical vibration, entropy and death in Marinetti, Joyce, Ehrenburg and Eliot
pp.96-114
https://doi.org/10.1057/9781137027252_5ectoplasm and the quest for supra-normal biology in fin-de-siècle science and art
pp.115-144
https://doi.org/10.1057/9781137027252_6wave patterns in the paintings of František Kupka
pp.145-161
https://doi.org/10.1057/9781137027252_7Raoul Hausmann's optophonetic media
pp.162-176
https://doi.org/10.1057/9781137027252_8avant-garde theatre and ethereal aesthetics from Kandinsky to futurism
pp.198-214
https://doi.org/10.1057/9781137027252_10pp.227-247
https://doi.org/10.1057/9781137027252_12vibration and the modernist vocal imaginary
pp.248-266
https://doi.org/10.1057/9781137027252_13Publication details
Publisher: Palgrave Macmillan
Place: Basingstoke
Year: 2013
Pages: 276
ISBN (hardback): 978-1-349-43952-2
ISBN (digital): 978-1-137-02725-2
Full citation:
Enns Anthony, Trower Shelley (2013) Vibratory modernism. Basingstoke, Palgrave Macmillan.