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International Studies in Phenomenology and Philosophy

Book | Chapter

208718

"Hi mr. Hemingway"

time and space, travel, and literary heritage in Midnight in Paris

Klara Stephanie Szlezák

pp. 173-189

Abstract

Woody Allen's 2011 film Midnight in Paris was a very successful and popular movie, not only with the critics, who mostly reviewed the movie favorably, but also at the box office, where it grossed over $56 million, making it one of Allen's commercially most successful films. In Peter J. Bailey's introduction to his and Sam B. Girgus's A Companion to Woody Allen of 2013, Midnight in Paris is treated as a sort of turning point in Allen's more recent oeuvre (2, 11), and several articles in the collection, and elsewhere, offer diverse critical approaches to this generally much appreciated film (for example, Fusco; Polhemus; Schwanebeck).

Publication details

Published in:

Szlezák Klara Stephanie, Wynter D. E. (2015) Referentiality and the films of Woody Allen. Basingstoke, Palgrave Macmillan.

Pages: 173-189

DOI: 10.1057/9781137515476_11

Full citation:

Szlezák Klara Stephanie (2015) „"Hi mr. Hemingway": time and space, travel, and literary heritage in Midnight in Paris“, In: K. Szlezák & D. E. Wynter (eds.), Referentiality and the films of Woody Allen, Basingstoke, Palgrave Macmillan, 173–189.