Book
Borges, Buddhism and world literature
a morphology of renunciation tales
Abstract
This book follows the renunciation story in Borges and beyond, arguing for its centrality as a Borgesian compositional trope and as a Borgesian prism for reading a global constellation of texts. The renunciation story at the heart of Buddhism, that of a king who leaves his palace to become an ascetic, fascinated Borges because of its cross-cultural adaptability and metamorphic nature, and because it resonated so powerfully across philosophy, politics and aesthetics. From the story and its many variants, Borges’s essays formulated a 'morphological' conception of literature (borrowing the idea from Goethe), whereby a potentially infinite number of stories were generated by transformation of a finite number of 'archetypes'. The king-and-ascetic encounter also tells a powerful political story, setting up a confrontation between power and authority; Borges’s own political predicament is explored against the rich background of truth-telling renouncers. In its poetic variant, the renunciation archetype morphs into stories about art and artists, with renunciation a key requirement of the creative process: the discussion weaves in and out of Borges to highlight modern writers’ debt to asceticism. Ultimately, the enigmatic appeal of the renunciation story aligns it with the open-endedness of modern parables.
Details | Table of Contents
renunciation, morphology, and world literature
pp.1-21
https://doi.org/10.1007/978-3-030-04717-7_1renunciation and politics
pp.23-46
https://doi.org/10.1007/978-3-030-04717-7_2poetic renunciation
pp.47-81
https://doi.org/10.1007/978-3-030-04717-7_3Publication details
Publisher: Palgrave Macmillan
Place: Basingstoke
Year: 2019
Pages: 126
DOI: 10.1007/978-3-030-04717-7
ISBN (hardback): 978-3-030-04716-0
ISBN (digital): 978-3-030-04717-7
Full citation:
Jullien Dominique (2019) Borges, Buddhism and world literature: a morphology of renunciation tales. Basingstoke, Palgrave Macmillan.