Metodo

International Studies in Phenomenology and Philosophy

Series | Book | Chapter

202888

Shapes

Marnie Hughes-Warrington

pp. 112-134

Abstract

At the end of Johan Galtung and Sohail Inayatullah's edited work Macrohistory and Macrohistorians there is a fascinating collection of pictorial representations of various world historical theories.1 Sima Qian's and Lovelock's theories are rendered by the creator of the appendix, Daniela Minerbi, as curvy; Hegel's, Comte's, Marx's and Gramsci's as step-like; Sorokin's as spiky, and Steiner's as a series of necklaces with dangling pendants. Though it was probably assumed by the editors that the diagrams would be viewed as ancillary to the text, the text need not be read in order to make sense of Minerbi's project. For though idiosyncratic and perhaps even mistaken — surely, for example, Vico's theory should look like a spiral — she has rendered in images what we take for granted in words: that world histories are narratives of differing shapes.

Publication details

Published in:

Hughes-Warrington Marnie (2005) Palgrave advances in world histories. Basingstoke, Palgrave Macmillan.

Pages: 112-134

DOI: 10.1057/9780230523401_6

Full citation:

Hughes-Warrington Marnie (2005) „Shapes“, In: M. Hughes-Warrington (ed.), Palgrave advances in world histories, Basingstoke, Palgrave Macmillan, 112–134.