Metodo

International Studies in Phenomenology and Philosophy

Book | Chapter

202682

Simulation and the evolution of thought

Joanna J. Bryson

pp. 205-207

Abstract

Our culture often describes memory as if it were all pastoral reverie—a safe and quiet form of entertainment allowing us to revisit events and places, lovers, families, and friends. Memory acts as a low-tech alternative to novels and video games, used to keep spirits up. In traditional narrative, memory serves to remind characters of their devotion to each other, or other obligations. Like other forms of entertainment, reverie might occasionally by chance lead to reflection, insight or self-knowledge. Sometimes this is facilitated by technology, such as film, or the memories of others casting a new light on previous events. In more contemporary writing, some authors dwell on a more traumatic form of this reverie that psychotherapists call "negative rehearsal"—the self-castigating narrative revisitation of past mortification—or worse, of own wrong-doing—that accompanies depression and leads to a spiralling devaluation of self-worth.

Publication details

Published in:

Groes Sebastian (2016) Memory in the twenty-first century: new critical perspectives from the arts, humanities, and sciences. Basingstoke, Palgrave Macmillan.

Pages: 205-207

DOI: 10.1057/9781137520586_24

Full citation:

Bryson Joanna J. (2016) „Simulation and the evolution of thought“, In: S. Groes (ed.), Memory in the twenty-first century, Basingstoke, Palgrave Macmillan, 205–207.