Metodo

International Studies in Phenomenology and Philosophy

Series | Book

202317

Intermedial theater

performance philosophy, transversal poetics, and the future of affect

Bryan Reynolds

Abstract

This book explores relationships between intermedial theater, consciousness, memory, objects, subjectivity, and affect through productive engagement with the performance aesthetics, socio-cognitive theory, and critical methodology of transversal poetics alongside other leading philosophical approaches to performance. It offers the first sustained analysis of the work of Gilles Deleuze, Félix Guattari, Jean Baudrillard, and Friedrich Nietzsche in relation to the contemporary European theater of Jan Lauwers and Needcompany, Romeo Castellucci and Socìetas Raffaello Sanzio, Thomas Ostermeier, Rodrigo García and La Carnicería Teatro, and the Transversal Theater Company. It connects contemporary uses of objects, simulacra, and technologies in both posthumanist discourse and postdramatic theater to the transhistorically and culturally mediating power of Shakespeare as a means by which to discuss the affective impact of intermedial theater on today’s audiences.

Details | Table of Contents

Noodling the nodals, nodal hamlet

difference and repetition, extreme performances, remembering to forget

Bryan Reynolds

pp.5-20

https://doi.org/10.1057/978-1-137-50838-6_2
Aspects of intermediality

objective agency, wonderment, and transversal refractions from the age of Shakespeare

Bryan Reynolds

pp.21-75

https://doi.org/10.1057/978-1-137-50838-6_3
Transversal affectivity and the lobster

intimate advances of Deleuze and Guattari, Rodrigo García and la carnicería teatro, jan Lauwers and needcompany, and alice in wonderland

Bryan Reynolds Guy Zimmerman

pp.137-175

https://doi.org/10.1057/978-1-137-50838-6_5
For the love of Hamlet's headspace

noodling with Deleuze, Thomas Ostermeier's nodals, and allo-realism

Sam KolodezhBryan Reynolds

pp.241-276

https://doi.org/10.1057/978-1-137-50838-6_7

Publication details

Publisher: Palgrave Macmillan

Place: Basingstoke

Year: 2017

Pages: 314

Series: Palgrave Studies in Performance and Technology

ISBN (hardback): 978-1-137-50837-9

ISBN (digital): 978-1-137-50838-6

Full citation:

Reynolds Bryan (2017) Intermedial theater: performance philosophy, transversal poetics, and the future of affect. Basingstoke, Palgrave Macmillan.