Metodo

International Studies in Phenomenology and Philosophy

Book | Chapter

195464

A post-christian concept of martyrdom and the Murdochian chorus

the one alone and T. S. Eliot's murder in the cathedral

Frances White

pp. 177-191

Abstract

In The One Alone and Murder in the Cathedral, Iris Murdoch and T.S. Eliot both interrogate the concept and cultural impact of martyrdom, he from a Christian, she from a post-Christian perspective.4The One Alone pays homage to Eliot's work which Murdoch had long known well: in 1940, whilst an undergraduate at Somerville College, she played the Leader of the Chorus in a performance of Murder in the Cathedral at Christ Church, Oxford.5 Her copy of the play, which is inscribed "Iris Murdoch Oxford 1940", is held in the Iris Murdoch Special Collections in Kingston University Archives.6 Pencilled marginalia mark her lines to speak and give directions to kneel, sit or stand. The experience of learning and performing Eliot's rhythms formed a lasting influence on Murdoch's writing which feeds covertly into the diverse choruses in her novels, as well as overtly into The One Alone.7

Publication details

Published in:

Rowe Anne, Horner Avril (2012) Iris Murdoch: texts and contexts. Basingstoke, Palgrave Macmillan.

Pages: 177-191

DOI: 10.1057/9781137271365_12

Full citation:

White Frances (2012) „A post-christian concept of martyrdom and the Murdochian chorus: the one alone and T. S. Eliot's murder in the cathedral“, In: A. Rowe & A. Horner (eds.), Iris Murdoch, Basingstoke, Palgrave Macmillan, 177–191.