Katan analyzes Gaga as a technique to face perceptual challenges. The chapter discusses the meaning of having a technique, and suggests that Gaga as a technique provides dancers with the knowledge of how to handle perceptual processes in dance. The chapter continues to discuss the correlation between physical technique and habitus, analyzing the capacity to handle perceptual processes as a practice for habitual growth. The chapter concludes with a discussion concerning the relationship between habitus and its embodied worlds of ideas, analyzing the philosophical value and the aesthetic approach of Gaga.