Metodo

International Studies in Phenomenology and Philosophy

Book

185378

Sound - perception - performance

edited byRolf Bader

Abstract

Musical Performance covers many aspects like Musical Acoustics, Music Psychology, or motor and prosodic actions. It deals with basic concepts of the origin or music and its evolution, ranges over neurocognitive foundations, and covers computational, technological, or simulation solutions. This volume gives an overview about current research in the foundation of musical performance studies on all these levels. Recent concepts of synchronized systems, evolutionary concepts, basic understanding of performance as Gestalt patterns, theories of chill as performance goals or historical aspects are covered. The neurocognitive basis of motor action in terms of music, musical syntax, as well as therapeutic aspects are discussed. State-of-the-art applications in performance realizations, like virtual room acoustics, virtual musicians, new concepts of real-time physical modeling using complex performance data as input or sensor and gesture studies with soft- and hardware solutions are presented. So although the field is still much larger, this volume presents current trends in terms of understanding, implementing, and perceiving performance.

Details | Table of Contents

Change and continuity in sound analysis

a review of concepts in regard to musical acoustics, music perception, and transcription

Albrecht Schneider

pp.71-111

https://doi.org/10.1007/978-3-319-00107-4_3
The perception of melodies

some thoughts on listening style, relational thinking, and musical structure

Christiane Neuhaus

pp.195-215

https://doi.org/10.1007/978-3-319-00107-4_8
The μ·cosm project

an introspective platform to study intelligent agents in the context of music ensemble improvisation

Jonas Braasch

pp.257-270

https://doi.org/10.1007/978-3-319-00107-4_11

Publication details

Publisher: Springer

Place: Dordrecht

Year: 2013

Pages: 389

ISBN (hardback): 978-3-319-00106-7

ISBN (digital): 978-3-319-00107-4

Full citation:

Bader Rolf (2013) Sound - perception - performance. Dordrecht, Springer.