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The work of music and the problem of its identity

Roman Witold Ingarden

edited byJean Harrell

Details | Table of Contents

Introduction Roman Witold Ingarden

pp.1-7

https://doi.org/10.1007/978-1-349-09254-3_1

The musical work and its performance Roman Witold Ingarden

pp.9-23

https://doi.org/10.1007/978-1-349-09254-3_2

The musical work and conscious experiences Roman Witold Ingarden

pp.24-33

https://doi.org/10.1007/978-1-349-09254-3_3

The musical work and its score Roman Witold Ingarden

pp.34-40

https://doi.org/10.1007/978-1-349-09254-3_4

Some features of a musical work Roman Witold Ingarden

pp.41-82

https://doi.org/10.1007/978-1-349-09254-3_5

The sounding and nonsounding elements and moments of a musical work Roman Witold Ingarden

pp.83-115

https://doi.org/10.1007/978-1-349-09254-3_6

How does a musical work exist? Roman Witold Ingarden

pp.116-122

https://doi.org/10.1007/978-1-349-09254-3_7

The question of the unity of a musical work Roman Witold Ingarden

pp.123-136

https://doi.org/10.1007/978-1-349-09254-3_8

The problem of the identity of a musical work in historical time Roman Witold Ingarden

pp.137-158

https://doi.org/10.1007/978-1-349-09254-3_9

Roman Ingarden and his time Max Rieser

pp.159-173

https://doi.org/10.1007/978-1-349-09254-3_10

Publication details

Publisher: Springer

Place: Dordrecht

Year: 1986

Pages: 182

ISBN (hardback): 978-1-349-09256-7

ISBN (digital): 978-1-349-09254-3

Full citation:

Ingarden Roman Witold (1986) The work of music and the problem of its identity. Dordrecht, Springer.