Book
The Palgrave handbook of sound design and music in screen media
integrated soundtracks
Details | Table of Contents
blurring the boundaries of the soundtrack
pp.17-32
https://doi.org/10.1057/978-1-137-51680-0_2sound recording, sound design and collaboration—an interview with ann kroeber
pp.33-42
https://doi.org/10.1057/978-1-137-51680-0_3labour organizations and power struggles that helped define music and sound in hollywood
pp.43-56
https://doi.org/10.1057/978-1-137-51680-0_4soundworlds in silent hill games and films
pp.73-88
https://doi.org/10.1057/978-1-137-51680-0_6spatial presence and the space vacuum
pp.91-111
https://doi.org/10.1057/978-1-137-51680-0_7a multidisciplinary approach
pp.113-121
https://doi.org/10.1057/978-1-137-51680-0_8reality and representation—an interview with dario marianelli
pp.139-150
https://doi.org/10.1057/978-1-137-51680-0_10"meaningful" noise in the cinema
pp.153-168
https://doi.org/10.1057/978-1-137-51680-0_11point-of-audition sound, aural interpellation, and the rupture of hearing
pp.169-182
https://doi.org/10.1057/978-1-137-51680-0_12sound, affect, and cinematic violence
pp.183-193
https://doi.org/10.1057/978-1-137-51680-0_13the soundtrack of Rivette's L'amour fou
pp.197-212
https://doi.org/10.1057/978-1-137-51680-0_14medium and genre and sound
pp.213-228
https://doi.org/10.1057/978-1-137-51680-0_15pp.229-244
https://doi.org/10.1057/978-1-137-51680-0_16pp.245-260
https://doi.org/10.1057/978-1-137-51680-0_17mixing punk rock, classical, and new sounds in film music—an interview with brian reitzell
pp.261-270
https://doi.org/10.1057/978-1-137-51680-0_18synthesizers and discourses of film sound in the 1980s
pp.273-288
https://doi.org/10.1057/978-1-137-51680-0_19the "lo-fi" soundtracks of Joe Swanberg
pp.289-304
https://doi.org/10.1057/978-1-137-51680-0_20Cristobal Tapia de Veer's utopia, anempathetic empathy and the Radicalization of convention
pp.305-319
https://doi.org/10.1057/978-1-137-51680-0_21building bridges
pp.321-328
https://doi.org/10.1057/978-1-137-51680-0_22music, midi and muzak in time of eve
pp.331-346
https://doi.org/10.1057/978-1-137-51680-0_23Hirokazu Tanaka's cybernetic soundscape for metroid
pp.347-359
https://doi.org/10.1057/978-1-137-51680-0_24pp.361-375
https://doi.org/10.1057/978-1-137-51680-0_25under the skin of film sound—an interview with johnnie burn
pp.377-384
https://doi.org/10.1057/978-1-137-51680-0_26pp.387-402
https://doi.org/10.1057/978-1-137-51680-0_27the use of sound and music in the opening sequences of a single man and shame
pp.403-419
https://doi.org/10.1057/978-1-137-51680-0_28orchestration, collaboration, and the integrated soundtrack—an interview with matt dunkley
pp.421-428
https://doi.org/10.1057/978-1-137-51680-0_29Publication details
Publisher: Springer
Place: Dordrecht
Year: 2016
Pages: 468
ISBN (hardback): 978-1-137-51679-4
ISBN (digital): 978-1-137-51680-0
Full citation:
Greene Liz, Kulezic-Wilson Danijela (2016) The Palgrave handbook of sound design and music in screen media: integrated soundtracks. Dordrecht, Springer.