Book | Chapter
The unnamed origin of the performative in Heidegger's interpretation of aristotelian phronēsis
pp. 63-83
Abstract
In this chapter, Stuart Grant argues that a sense of the performative is embedded at the core of one of Heidegger's central projects, and that while it is not always explicit or fully realised, an "idea of the performative […] haunts Heidegger's whole body of work".
Publication details
Published in:
Grant Stuart, McNeilly-Renaudie Jodie, Wagner Matthew (2019) Performance phenomenology: to the thing itself. Dordrecht, Springer.
Pages: 63-83
DOI: 10.1007/978-3-319-98059-1_4
Full citation:
Grant Stuart (2019) „The unnamed origin of the performative in Heidegger's interpretation of aristotelian phronēsis“, In: S. Grant, J. Mcneilly-Renaudie & M. Wagner (eds.), Performance phenomenology, Dordrecht, Springer, 63–83.