Since their first appearance in the late 18th century (Herder, Novalis), and particularly during the golden age between the late 19th and the early 20th century (Vischer, Lipps), the theories of empathy (Einfühlung) have frequently interpreted the ancient issue of the animation of the inanimate on the basis of a hydraulic model of communicating vases: the human subject fills the void object with her/his feelings. The unsustainable psychologistic subjectivism underpinned by such model was radically criticized both by Gestalt theorists and phenomenologists, who rejected the idea of emotional projection and claimed the expressivity peculiar to any entity, both human and non-human. Nevertheless, the notion of empathy is not completely confuted by such criticism, for it does not completely coincide with the hydraulic model. In my paper I will try to show the possibility of a non-subjectivistic version of the Einfühlung referring to the analogical characterology developed in the circle of Lipps’ school (Pfänder, Geiger, Klages).