Apprendre à dessiner deux théories
pp. 47-59
Abstract
The practice of drawing is an ideal study case for framing a cognitive approach to art. In this paper I enumerate six constraints that must be respected by any cognitive theory of drawing production. I evaluate the two major existing theories – Ruskin’s theory of the innocent eye and Gombrich’ theory of graphic schemes – and show the superiority of Gombrich’ theory. I finally provide the first elements for a psychological development of the theory of graphic schemes.
Publication details
Published in:
(2011) Disegno. Rivista di estetica 47.
Pages: 47-59
Full citation:
Pignocchi Alessandro (2011) „Apprendre à dessiner deux théories“. Rivista di estetica 47, 47–59.