Metodo

International Studies in Phenomenology and Philosophy

Series | Book | Chapter

147505

The spirit in flamenco and the body in motion

discovering gender difference in the dance

Victoria Mora

pp. 189-204

Abstract

There is a special difficulty for the phenomenologist concerned with clarifying "ordinary, mundane experience."1 This difficulty is grounded in a double significance of the familiarity that characterizes that experience. On the one hand, familiar phenomena are in fact readily accessible insofar as they are common-that is, immediately available as well as shared. To use Alfred Schutz's language, the familiar world is the world that is "taken for granted."2 It is the world that we accept at face value, as real, as, in a very real sense, unquestionable. On the other hand, the familiarity that characterizes the mundane world can mask precisely the phenomena that it characterizes. When a phenomenon becomes a familiar aspect of the day to day, it ceases to hold out its unique structure and significance. Instead, it recedes into the milieu of "typical" social experience. Yet just because these phenomena have come to be understood as "typical," we may be too hasty if we conclude that they have come to be understood in their deeper significance.

Publication details

Published in:

Crowell Steven (1995) The prism of the self: philosophical essays in honor of Maurice Natanson. Dordrecht, Springer.

Pages: 189-204

DOI: 10.1007/978-94-015-8408-1_12

Full citation:

Mora Victoria (1995) „The spirit in flamenco and the body in motion: discovering gender difference in the dance“, In: S. Crowell (ed.), The prism of the self, Dordrecht, Springer, 189–204.