Intersections between four phenomenological approaches to the work of art
pp. 15-29
Abstract
This paper discusses four different phenomenological approaches to artwords in Heidegger, Levinas, Arendt, and Husserl. Broad similarities between these approaches are investigated as well as the differences in accent and significance accorded to the philosophical analysis of works of art in relation to perception, truth, and knowledge.
Publication details
Published in:
Bloechl Jeffrey, de Warren Nicolas (2015) Phenomenology in a new key: Essays in honor of Richard Cobb-Stevens. Dordrecht, Springer.
Pages: 15-29
DOI: 10.1007/978-3-319-02018-1_2
Full citation:
Taminiaux Jacques (2015) „Intersections between four phenomenological approaches to the work of art“, In: J. Bloechl & N. De Warren (eds.), Phenomenology in a new key, Dordrecht, Springer, 15–29.