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Ingardeniana III

Roman Ingarden’s aesthetics in a new key and the independent approaches of others: the performing arts, the fine arts, and literature

edited byAnna-Teresa Tymieniecka

Details | Table of Contents

Table of contents

pp.vii-viii

Foreword Anna-Teresa Tymieniecka

pp.ix-x

A theory of drama and theatre Jadwiga Smith

pp.3-62

http://link.springer.com/chapter/10.1007/978-94-011-3762-1_1

On the sign character of the representing stratum in a film as work of art Waclaw Osadnik Lukasz Plesnar

pp.63-78

http://link.springer.com/chapter/10.1007/978-94-011-3762-1_2

Roman Ingarden: some new developments in his scholarship

pp.79-192

The temporal composition of the literary work of art and the reader's aesthetic temporality Yushiro Takei

pp.81-107

http://link.springer.com/chapter/10.1007/978-94-011-3762-1_3

The mystery of time in Roman Ingarden's philosophy Maria Bielawka

pp.109-117

http://link.springer.com/chapter/10.1007/978-94-011-3762-1_4

Thomas de Quincey and Roman Ingarden

The phenomenology of the "literature of power"

Charles Rzepka

pp.119-130

http://link.springer.com/chapter/10.1007/978-94-011-3762-1_5

On translations Roman Witold Ingarden

pp.131-192

http://link.springer.com/chapter/10.1007/978-94-011-3762-1_6

Around the "passions of the soul"

pp.193-278

Grand passions of humble folk

Woyzeck and the Jews' beech

Wolfgang Wittkowski

pp.195-214

http://link.springer.com/chapter/10.1007/978-94-011-3762-1_7

The enigma of interpretation in Chagall's disposition of space Bruce Ross

pp.215-231

http://link.springer.com/chapter/10.1007/978-94-011-3762-1_8

Erotic modes of discourse

The union of mythos and dialectic in Plato's Phaedrus

Danny Smith

pp.233-241

http://link.springer.com/chapter/10.1007/978-94-011-3762-1_9

The man of genius as artist — suffering and world conscience Constantin Crişan

pp.243-248

http://link.springer.com/chapter/10.1007/978-94-011-3762-1_10

The erotic phenomenology in Kierkegaard's Mozart Leo Rauch

pp.249-258

http://link.springer.com/chapter/10.1007/978-94-011-3762-1_11

The Agamemnon

A drama of the passions

Marilyn Stewart

pp.259-268

http://link.springer.com/chapter/10.1007/978-94-011-3762-1_12

Narrative time as interpretation of human existence Hanna Charney

pp.269-278

http://link.springer.com/chapter/10.1007/978-94-011-3762-1_13

Philosophical views reflected in literature

pp.279-357

Le langage de la création esthétique dans la phénoménologie Mario Sancipriano

pp.281-293

http://link.springer.com/chapter/10.1007/978-94-011-3762-1_14

Unity in vedic aesthetics

The self-interacting dynamics of the knower, the known, and the process of knowing

William Haney Ii

pp.295-319

http://link.springer.com/chapter/10.1007/978-94-011-3762-1_15

An approach to the structure of the Japanese elegy

in the case of Yamanouë No Okura, a representative poet of Mannyoshu (the first collection of japenese poetry)

Susumu Kanata

pp.321-333

http://link.springer.com/chapter/10.1007/978-94-011-3762-1_16

Fantastic phenomonology Richard Hull

pp.335-348

http://link.springer.com/chapter/10.1007/978-94-011-3762-1_17

Philosophic filaments in literature in English

Wordsworth to pound

Peter Morgan

pp.349-355

http://link.springer.com/chapter/10.1007/978-94-011-3762-1_18

Index of names

pp.357-361

Publication details

Publisher: Kluwer

Place: Dordrecht

Year: 1991

Pages: 365, x

Series: Analecta Husserliana

Series volume: 33

DOI: 10.1007/978-94-011-3762-1

ISBN (hardback): 9789401056748

ISBN (digital): 978-94-011-3762-1

Full citation:

Tymieniecka Anna-Teresa (1991) Ingardeniana III: Roman Ingarden’s aesthetics in a new key and the independent approaches of others: the performing arts, the fine arts, and literature. Dordrecht, Kluwer.